These prints are available as 11"x17" Giclée Prints on Watercolor.

The high level of detail in this minimalist series is emphasized by the beautiful & thick watercolor surface on which they are printed. Each print is available for sale separately or a special package of three prints is available (contact me for more details).

The Forgotten BusThe Forgotten BusThe Forgotten BusThe Forgotten BusThe Forgotten Bus

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This is a time-lapse of a repair on my girlfriend’s D300s. Her Compact Flash card pin was bent to the extent that it needed to be replaced. I edited this video in under 5 minutes so the quality is pretty low, but it is fun to watch. The repair performed by master technician, Steve Sweringen of The Camera Clinic in Sparks, NV.

The? repair was successful. A bent Compact Flash card pin was removed and replaced with one from a donor Canon SLR (40D if I remember correctly) and the repair took about an hour with Steve stopping to explain what he was doing.

For more photos, check out the full post.

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Rally Shots in the Snow!

March 5, 2011 | Category: Photography | 5 Comments

Subaru RS rolling. © 2011 Daniel Newton.

 

This was a shoot that almost didn’t happen. I nearly canceled due to the “boring” forecasted weather. The subject: a 1998 Subaru Impreza RS. My plan was to emphasize the rally heritage of the car by doing some off-road rig and posed shots in the snow.  The bumpy, snow-covered road presented some new challenges and the bright, sunny conditions made it difficult to get an exposure long enough to blur the ground, but problems aside, the shoot went very well. Fielding and I scouted, planned out the lighting and angles and shot everything within just a few hours. Thanks to fellow photographer Mark Rauh and his son Austin for providing the car.

The Shooting process (similar to my other rig shots):

  1. Scout out a location (or three)
  2. Place the sun and figure out shooting angles
  3. Set up the rig and camera
  4. Light the car in a static position
  5. Do plenty of rolling frames
  6. Repeat if necessary
  7. Later, in post, the rig is removed and the lit frames are blended with the rolling frames

 

Another angle. © 2011 Daniel Newton.

We started with the posed shots as it makes since to shoot the car while it is clean. I’m very happy with a number of the posed frames, but I just picked one of my favorites for this post.

Posing Subaru RS, © 2011 Daniel Newton.

All shots were taken with a Nikon D3 using a Nikon 17-35mm f/2.8 lens. To achieve a longer exposure in the extremely bright conditions, a 10 stop ND filter was used on the moving shots. The lighting consisted of an Elinchrom Ranger RX 1100 w/s and a White Lightning Zeus 1200 w/s to combat the sun.

 
Setup Shots:

Fielding shooting his posed shots. There is an Elinchrom ranger to the right and a White Lightning just off to the left.The rig setup for the first frame. Setup shot courtesy of photographer Mark Rauh.

 Setting up (fielding on the right and I'm on the left). Setup shot courtesy of photographer Mark Rauh.

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The Lonely Path

February 17, 2011 | Category: Nocturnal Photography | 1 Comment

The sky moves over a lonely section of my running route.

This is a curvy section of a dedicated bike route near the river in Reno. Its part of my running route, only minutes away from my house and I’ve been meaning to shoot it for some time now. My goal is to shoot more urban star trails shots so why not start with this….

Once funny note about this shot: During the exposure some young teens walked the path (right into my frame) and upon realizing that there was someone sitting motionless in the shadows, they turned white and sprinted away in the direction they came from. The whole thing happened so fast that they didn’t show up in my frame :)

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  Val, ready for her close-up.

Here are a couple of fun winter portraits of the wonderful Val.

The idea behind these portraits was to get a really blurry background while using a single strobe in a bright snowy landscape. There a couple of problems to address when shooting in that situation:

1.) Noon on a clear day is about the worst time of day to shoot. The light is harsh, contrasty and the shadows are unflattering. The solution was to use lighting to fill in the shadows.

Dodging a snowball (that she threw)2.) With all of the snow on the ground and the intensity of the sun, it was extremely bright. This meant that even at minimal ISO, I was going to have to use either fast shutter speeds or a small aperture. The problem is that most SLRs will not sync much faster than 1/250th of a second with a non-TTL strobe. This meant a small aperture, leading to my next problem…

3.) To achieve a shallow depth of field, one needs to use a large, bright aperture, which, in that light, required a shutter speed faster than 1/250th.

A possible solution would be to use TTL flash (speedlight) capable of syncing faster than 1/250th. However, a speedlight wouldn’t be nearly powerful enough to combat the bright sun and snow, therefore I was forced to use a more powerful, non-TTL strobe (1100w/s Elinchrom Ranger AS).

Wanting a shallow depth of field, the final solution was to use a telephoto lens at a very close distance with a heavy neutral density filter to darken things up. The neutral density filter cut enough light to achieve a larger aperture and combing that, the close focusing distance and the telephoto lens, I was able to open up my aperture and get a blurry background.

The sun was positioned behind Val to provide a nice hair/kicker. I used a 39” octobank placed to camera right in front of and above her, aimed down. The snow on the ground provided a nice under fill.

A few more…

Nice smile, nice light.

She actually hates the snow :) 

 

Specs:

Nikon D3, 80-200mm 2.8 @ 200mm and minimum focusing distance(headshots only). ND-8 filter so I could shoot at a larger aperture. The background is not fake. 1/200th @ f/7.1 (it was really bright)

Elinchrom Ranger RX with 39" Rotalux Octobank to camera right, snow and sun for fill and kicker.

 

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2011 Subaru Impreza WRX rig shot

This was a super quick rig shot in the same alley as the last post. The car is Fielding’s new 2011 Subaru Impreza WRX sedan. Nikon D3 with 17-35mm lens, 1.6 seconds, f/8, ISO 800. The rig was attached to the rear window with three suction cups. Like the other rig shots, the car was initially lit in a static position. Later I combined that frame with the rolling exposure. After the hours editing involved in removing the rig in my previous rig shot, this was composed in a manner so that no rig removal was required and the editing took no time!

Andrea preps her camera.

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Here are a few single light portraits of my buddy Mike. For the shot above, the strobe was completely bare (no reflector or modifier at all), placed to camera right and slightly behind the subject. There is a large, off white wall directly behind the camera which provided a bit of fill. 

 


Another from the same alley…

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Mercedes Rolling Shot

January 15, 2011 | Category: Photography | 4 Comments

Understatement: it has been a while. School has kept me pretty preoccupied, but I did have a chance to do a few shoots during winter break and this is one of them. I had the opportunity to shoot a nice 2007 Mercedes AMG E63.

2007 Mercedes AMG E63, final rig shot. ©2011 Dan Newton.

Final specs: Nikon D3, Nikon 14-24mm f/2.8, F/11, ISO 500, 0.8 sec

Keep reading to see how it was shot…

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Here are a couple of star trails photos from this summer. I wouldn’t say that they are portfolio worthy, but I’m trying to make an effort to post more often and not be so picky about the work I share.

 

flumes-trails

This photo was taken in early summer. The thing that looks like a railroad track is actually a large wooden flume.

Specs: Nikon D3, Nikon 17-35mm 2.8, f/4 at ISO 640. 16 frames stacked at 4 mins each = 1 hour total exposure. I lit the “track” from underneath using a gelled flashlight. It was EXTREMELY dark (new moon) hence the wide aperture, long exposures and high ISO.

 

Perseid Meteor Showers 
This is a more recent photo, taken during the peak of the the Perceid meteor showers. There are some faint meteors, but disappointingly only one bright one. It’s also noteworthy that this was taken at the same location as this photo.

Specs: Nikon D3, Nikon 17-35mm 2.8, f/8 at ISO 640. 50 frames stacked at 3.3 mins each = 2.75 hour exposure. I lit the foreground with a green gelled headlamp.

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Some Recent Tear-Sheets

August 9, 2010 | Category: Photography | Leave a Comment

Since I haven’t been doing much shooting lately, I thought I’d share a couple of recent tear sheets from publications featuring my photography.

 

July 2010 Issue of Nevada Magazine – no longer in news stands since the August 2010 issue is now out.

Nevada Magazine clipping

August 2010 (current issue) of Digital Camera World Magazine – an international publication, and in news stands now.

Digital Camera world magazine clipping

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